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here hasn't been a more highly anticipated film
in recent years than "Kung Fu Hustle", the latest action/comedy
offering from Hong Kong's Stephen Chow ("Shaolin
Soccer"). Upon release, the movie broke box office records, and a
sequel is already being talked up, even although indications are that
writer/director/star Stephen Chow hasn't committed. The film could certainly
stand a sequel, as "Kung Fu Hustle" is too breezy for its own
good, coming and going at a brisk 90-odd minutes. And if the film's many
kung fu battles look familiar, that's probably because action choreographer
Yuen Woo Ping also graced "The
Matrix" films with his talent. In many ways, just as you could
never have had a "Matrix" film without the Hong Kong films from
which it took much of its inspiration, you could never have "Kung Fu
Hustle" without the technological pioneering of the Wachowski brothers.
"Hustle" is set
sometime in an early 20th century Chinese city, where young punk
Sing arrives at a rundown apartment complex appropriately named Pig Sty
Alley. Sing and cohort Chi Chung Lam, posing as members of the notorious Axe
Gang, tries to shake down the inhabitants of Pig Sty, but quickly discovers
that not all is what it seems. There are three kung fu masters secretly
living in the complex, and after Sing calls forth members of the Axe Gang
(purely by accident, natch), a royal rumble of epic proportions commences.
(Although the Axe Gang is named such for their favoring of axes, they have
nothing against Tommy guns when the situation calls for more firepower.)
After the gang gets royally trounced by the three
masters, the Axe Gang's embarrassed leader (Kwok Kuen Chan) seeks help
from two notorious killers. When those killers are equally trounced by two
more kung fu masters hiding out Pig Sty Alley (this place is full of kung
fu masters!), the Axe Gang unleashes the infamous skills of the Beast
(Leung Siu Lung), who legend has it was so obsessed with mastering kung fu
that he went mad, and had to be locked away in a mental asylum. It's here
that the ambitious Sing, who wants desperately to be a member of the Axe
Gang, springs the Beast to do battle. Can the selfish Sing come to his
senses long enough to save the day? And how come he broke that mute girl's
lollipop? Now that's just rude.
Although "Kung Fu Hustle" is a Chow movie,
the character Sing is curiously missing for much of the film, and doesn't
really do anything of real note until the Third Act, when Sing
unexpectedly (re: conveniently) turns his back on the Axe gang to become a
good guy. Most of the film's first half follows the exploits of Pig Sty
Alley's residents, of which there are quite a few colorful characters,
including the aforementioned five hidden kung fu masters, one of whom
turns out to be appropriately nicknamed "fairy". Every now and
then the film shows us what Sing and his sidekick are doing, but you can't
help but think that Chow's committed so much to making the kung fu fights
look good that he's forgotten to justify his appearance in the movie.
Not that story matters with a movie like this.
"Kung Fu Hustle" is a tremendously entertaining film from
beginning to end, and although it's sold as a comedy, the film actually
works a lot better as a martial arts movie, because my oh my are there a
lot of martial arts battles to be found. And because Yuen Woo Ping is
doing the action (supposedly he took over from Sammo Hung, who left the
movie due to creative differences with Chow), there are plenty of Ping
flourishes to be found. In fact, if you've seen "The Matrix"
movies, a lot of the sequences will look familiar here. After all, what's
a Yuen Woo Ping movie without a character getting kicked, is lifted
vertically into the air by said kick, and then getting kicked again, this
second kick sending him flying horizontally? That's trademark Ping action
right there, folks.
Complimenting the wild action is a lot of computer
special effects, in particular a lot of switches between real life flesh
and blood and their CGI counterparts. And I do mean a lot. The film
is practically overflowing with CGI action, done in that cartoony style
that makes sense in a movie like this. People bounce off walls, whole
buildings get destroyed in tides of "kung fu aura", and general
mayhem lays waste to much of Pig Sty Alley. It's all good, clean fun,
although Chow is not shy about killing people off in some pretty gruesome
manners. A character loses his head, another gets hit so hard his head
literally screwballs like a Wile E. Coyote cartoon, and at one point
Chow's character gets literally punched into mincemeat.
Not that there isn't comedy to go around. The film
has some good chuckles, but I can't say if there's anything really laugh
out loud funny about it. There's only really one standout comedy bit, and
in it Sing and his sidekick are sent to kill the nasty, foulmouthed
landlady (Yuen Qiu) of Pig Sty Alley. Armed with three knives, the duo can
only manage to embed all three knives accidentally into Sing, before
they're forced to flee upon being discovered. Funny stuff, made more so
because Chow shoots the whole sequence with a straight face. The look on
Sing's face, as he attempts to comprehend what's just happened to him, is
priceless.
Would I have liked to see more story in "Kung Fu
Hustle"? Yes, very much so. The movie is too short, which is made
more noticeable because it has an abundance of subplots that begs to be
followed up on. Instead, characters are introduced in fashions that make
you think they'll matter to the overall story, only to drop completely out
of sight. And as mentioned, Sing's screentime is limited until the Third
Act, making the character's romance with a mute ice cream girl barely
credible. In total, the two "love interests" share about 3
scenes total, each one lasting less than 30 seconds. Perfunctory? More
like an afterthought.
Although not nearly as funny as Chow's previous films
("Forbidden
City Cop" and "Soccer" comes to mind), "Kung Fu
Hustle" is one heck of an action film, brimming with wild, out of
control martial arts fights. Except for Chow, everyone who engages in the
movie's kung fu battles look as if they were hired for their fighting
skills -- if you know what I mean. When it comes to the film's shamefully
short length, I wouldn't be surprised to learn that as much as 30 minutes
were edited out to put more emphasis on the non-stop action. This is one
of those cases where you wish a movie were longer, if just to fill in more
of the blanks.
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