Two More Clips from The American Shoots Online

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Two more clips from George Clooney’s “hitman’s last job” movie “The American”. Yup, it’s not exactly the most original idea for a movie out there, and although I’m a sucker for this type of plot, I’m frankly surprised someone like George Clooney is starring in it. You’d expect a has-been action star, but probably not someone like Clooney. In any case, I’ll probably enjoy it, though given the film’s non-existent buzz, I don’t see it doing a whole lot except heading to DVD soon after its theatrical debut. Does anyone even know this movie is coming out September 1st? Both clips via Apple.

Jack (George Clooney) is an artful assassin with a lengthy track record, constantly on the move and always watching his back. When an assignment goes wrong and a lover ends up dead, he vows that the next job will be his last. This final obligation takes him to a picturesque town nestled amongst lush Italian hills, its historical piazzas bursting with life. But to Jack, every location is a trap and every person a potential threat. Still, he surprises himself, enjoying confessional conversations over Armagnac with an insightful priest and slipping into an affair with a local beauty. But by letting his guard down, Jack may be tempting fate. A dangerous shadow-dweller shows every sign of closing in, and the mysterious woman who has hired him may not be all that she seems. As an increasingly wary Jack contemplates life, love and death in Italy, the film escalates into a climactic showdown through the cobbled maze of age-old alleyways. This sexy, suspenseful and intricate story blends intrigue and passionate romance within a searing morality tale to finally reveal the heart of this deeply private man.

Starring George Clooney, Thekla Reuten, Bruce Altman, Violante Placido, Paolo Bonacelli, Filippo Timi, Irina Björklund and directed by Anton Corbijn.

George shoots people September 1, 2010.

Get more images and videos in our “The American” preview page.

Author: Nix

Editor/Writer at BeyondHollywood.com. Likes: long walks on the beach and Kevin Costner post-apocalyptic movies. Dislikes: 3D, shaky cam, and shaky cam in 3D. Got a site issue? Wanna submit Movie/TV news? Or to email me in regards to anything on the site, you can do so at nix (at) beyondhollywood.com.
  • Heroshinwoo

    this is hilarious. George Clooney is the BIGGEST Anti-American in the US!

  • KingGab.com

    Movie wasnt as good as i hoped..
    Still very much worth watching though.
    I’ve seen this movie here…
    http://kinggab.com/action/the-american/

  • moomovie

    Most “one last job” movies are high-energy action flicks or thrillers driven by a veteran actor playing a character with a troubling back story, but Anton Corbijn’s “The American” operates as a character-driven mood piece, a precise and quiet visual portrayal of a man trying to quit his dangerous profession who is constantly haunted and pervasively paranoid.

    Way different from the Clooney-led spy thrillers of the ’90s, “The American” broods and ruminates under the Corbijn’s precise visual style. Those expecting Clooney’s return to suave criminal mastery will find themselves waiting and waiting for this film to pop. It doesn’t. There is no mêlée of Bourne-style assassin-chasing amid the hillside towns of the Italian countryside, so for many, shots of Clooney doing push-ups and putting together a rifle will become tedious.

    But “The American” doesn’t languish quite as much as it might seem, though it certainly does at times. After a jarring opening sequence in Sweden when Clooney’s character Jack realizes he’s being targeted, Jack quietly makes his way to Rome and then Abruzzo, where a job awaits him even though he’s clearly ready to quit and he’s still shaken from Sweden. Shots of him maneuvering the gorgeous countryside ensue as well as aforementioned exercise. In a town in the Abruzzo area, he meets Mathilde, his client, for whom he will build a custom rifle as that’s his line of work. In the process, he becomes close with a gorgeous prostitute named Clara (Violante Placido) and comes to believe he’s being pursued by the Swedes, causing paranoia to engross him.

    Corbijn, who directed the 2007 black-and-white biopic “Control” about the short life of Joy Division singer Ian Curtis, possesses a calculated and engaging visual style. His shots are ideally framed and pull our eye everywhere it needs to go. Considering dialogue is sparse, the ability for a scene to say a lot without saying anything is crucial and Corbijn does just that. He also plays well off audience expectation for this genre and twists the story in fresh and interesting ways.

    Corbijn and Clooney are clearly on the same page, even if it means the film puts too much emphasis on the non-verbal and the dauntingly slow build-up to the climax. As much as the emphasis is tone, tone and tone, we come to understand Jack (who later decides he’s Edward) extremely well and see his conflict between sticking to his sinful nature as a means to survive and just letting it all go because it bottles him up inside. You can critique the method all you like and complain about the film’s choice to lean towards drama instead of action, but Corbijn possesses a good measure of talent and “The American” will leave a profound impression.

    - MooMovie Guy
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